An ambitious young man, in a small town in Central India, sets up a paan shop to a floundering start. His fortunes start to change dramatically when a family shifts in the house across the road. Hordes of boys start following the teenage girl from the family and set up an “adda” at Billu’s shop. His business flourishes tremendously but Billu is now more unhappy than ever, as he has fallen for the girl himself! It’s unusual for a film to open with a deleted scene. It is even more unusual for it to be based on a wildly inappropriate premise that unfolds without a hint of irony, but somehow, Chaman Bahaar manages to do both.
The latest in a seemingly unending line of movies produced by Yoodlee Films for various streaming platforms, Chaman Bahaar is among the worst. Especially since the banner’s last release, which debuted only a week ago, was the rather enjoyable Axone. I’m sure director Apurva Dhar Badgaiyann had the best intentions, but to make what can essentially be described as ‘Male Gaze: The Movie’ in the year 2020 feels tremendously tone-deaf.
The beloved actor Jitendra Kumar (Shubh Mangal Zyaada Saavdhan and Amazon’s Panchayat) stars as Billu, a ‘panwadi’ in a nondescript middle-India town. Much to his dismay, Billu realises that the spot he has picked to set up a new shop is as barren as the bleak landscape that surrounds it. Hours go by between customers, and even when someone does stop by, Billu is invariably out of stock. The only company he has is his two friends, who seem to be as jobless as him.
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